Aesthetic subtitling is slowly gaining visibility and popularity in audiovisual translation, with some advocates positing it as an established alternative to traditional subtitling practice. Aesthetic subtitling also has the potential to integrate other disciplines, including film studies, typography and literary translation, to form a multidisciplinary approach. This dissertation discusses the potential of a multidisciplinary approach to aesthetic subtitling by using it to create original aesthetic subtitles for the Jean-Paul Jeunet film ‘Le Fabuleux Destin d'Amélie Poulain'.