Phantoms of the Source Text : Retranslation and the English Translations of Gaston Leroux's Le Fantôme de l'Opéra

Diplôme Master Phantoms of the Source Text : Retranslation and the English Translations of Gaston Leroux's Le Fantôme de l'Opéra eng 2016 author Hewitt Rachel 812169 director Riggs Ashley 505495 Ashley Merrill Riggs The retranslation hypothesis as it is understood today states that later translations of a given text tend to be closer to the source text both in terms of language and cultural impact than earlier translations. This hypothesis stems from an essay written by Antoine Berman in 1990. However, it has since been challenged by a number of theorists. This paper discusses the retranslation hypothesis and the criticism it has received. Through a critical analysis of Gaston Leroux's novel, Le Fantôme de l'Opéra, and its six English translations that span more than a century, this paper challenges the theories put forward by Berman in his essay and analyses various textual elements of Leroux's work and the choices made my those who translated it. Retraduction Leroux Berman Traduction littéraire Dewey 418.02 Maîtrise universitaire en traduction mention traduction spécialisée 111 Département de traduction 91 false 0a4f66b7-f142-4a21-8b86-ba75d29b18f3 Master thesis Public Rachel Hewitt - Memoire.pdf 527781 application/pdf openAccess Faculté de traduction et d'interprétation / Département de traduction

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Phantoms of the Source Text : Retranslation and the English Translations of Gaston Leroux's Le Fantôme de l'Opéra				2016	857	1,349

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Hewitt, Rachel