Joyce's Transcendental Aesthetics of Epiphany
|Published in||Emotion, Affect and Sentiment: The Language and Aesthetics of Feeling. Tubingen: Narr Dr. Gunter. 2014, p. 143-161|
|Abstract||The modern literary epiphany is usually regarded as a subjective, secular experience, but I argue that Daedalus's theory of epiphany in Stephen Hero constitutes an aesthetics of transcendence. Epiphanies traditionally present divine apparitions, and Daedalus's definition of epiphany as a “sudden spiritual manifestation” strongly suggests a transcendental event. In contrast to traditional theophanies, though, his theory draws on the poetics of Wordsworth and Shelley, who reimagine the epiphany as a rapturous, but immanent, experience of the sublime. In doing so, they internalise the epiphany, but from an Idealist perspective, the Romantic revelation remains a transcendental moment in which the Godlike infinitude of nature and/or the mind is shown forth. Indeed, Wordsworth's epiphanies have all the hallmarks of the Kantian sublime, so that Kant's “Analytic of the Sublime” can be used to understand a Romantic aesthetics of transcendence. If Daedalus’s theory is essentially Romantic, it follows that Kant's aesthetics also illuminate Stephen Hero, but I argue that they do so in a different way to Wordsworth, by opening up the possibility of a new transcendence, not in the wonder of the starry heavens or the moral law within, but in the sublimity of language itself.|
|Keywords||Joyce — Epiphany — Aesthetics|
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|MACDUFF, Sangam. Joyce's Transcendental Aesthetics of Epiphany. In: Emotion, Affect and Sentiment: The Language and Aesthetics of Feeling. Tubingen : Narr Dr. Gunter, 2014. p. 143-161. https://archive-ouverte.unige.ch/unige:40981|