Plurality at play : performance and fallibility in Yukio Mishima's Kamen no kokuhaku

Diplôme Master Plurality at play : performance and fallibility in Yukio Mishima's Kamen no kokuhaku eng 2025-09-03 author van Lier Sonja Elisabeth 896114 director Brisset Claire-Akiko 912015 moyens communs des études est-asiatiques (ESTCO) director Garcin Thomas 83 This paper offers a reading of Yukio Mishima’s Kamen no kokuhaku (1949, Confessions of a Mask) in isolation of its author and the latter’s controversial acts in November 1970. By viewing the protagonist in his structural and diegetic multiplicity under the lens of gender performance, this paper emphasises the artificial and constructed nature of the narrative and its character, revealing the novel’s wary attitude towards the notion of interiority, memory and confession. Mishima Yukio Confessions of a Mask Dewey 495 Master en études japonaises 87 Département d'études est-asiatiques 3E false 975 Unité d'études japonaises 42362d5d-be45-4730-821c-fe745b098d72 Master thesis Public Plurality_at_Play__mémoire_Sonja_va.pdf 1668581 application/pdf c8b87028c847b4d9b6b090797b373524de0d7d8b78da6285008ffc0af60c4145 openAccess Faculté des lettres / Département d'études est-asiatiques

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Plurality at play : performance and fallibility in Yukio Mishima's Kamen no kokuhaku				2025	144	458

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van Lier, Sonja Elisabeth

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