| [Review of :] Medieval theatre performance : actors, dancers, automata and their audiences / Philip Butterworth and Katie Normington, eds. - Cambridge : D.S. Brewer, 2017 | Early Theatre |  | | 2019 | 449 | 241 |
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| Modulating Tone in the Early English Slaughter of the Innocents Plays : Between Grief, Vengeance, and Humour | European Medieval Drama |  | | 2018 | 287 | 0 |
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| The materiality of metaphors : why the Affectus needs shoes in the Doctrine of the Hert | Emotion and medieval textual media | | | 2018 | 259 | 1 |
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| A critical reassessment of terminology, or, the problem with mimesis | Medieval English Theatre | | | 2017 | 50 | 210 |
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| Forms of Pretence in Pre-Modern Drama: From the Visitatio Sepulchri to Hamlet | European Medieval Drama | | | 2016 | 511 | 11 |
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| Doctrinal Orthodoxy and the Dramatic in Liturgical and Secular English Drama | SPELL. Swiss papers in English language and literature | | | 2015 | 548 | 195 |
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| [Review of:] Sartorial Strategies: Outfitting Aristocrats and Fashioning Conduct in Late Medieval Literature / Nicole D. Smith | H-france Reviews | | | 2015 | 554 | 232 |
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| Covering and Discovering the Body in medieval theology, drama and literature | | | | 2015 | 891 | 301 |
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| The Codification of Heraldry in Malory's Le Morte Darthur | Coat of arms | | | 2014 | 828 | 696 |
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| Clothing and the Postlapsarian Body in Early English Drama | International Congress on Medieval Studies | | | 2014 | 90 | 206 |
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