The poet's grasp at emotion : medieval configurations of sloth

Diplôme Thèse The poet's grasp at emotion : medieval configurations of sloth eng 2011-12-16 author Balgradean Ioana 521686 director Bolens Guillemette 35276 10.13097/archive-ouverte/unige:18158 urn:nbn:ch:unige-181586 L. 736 Between the 12th and the 14th centuries, medieval poets write the complex affective concepts of sloth and sorrow into ever so fluid literary formulations. Their artistic grasp at emotion is self-conscious and multiple, as it engages with a most unstable anthropologic manifestation which closely resonates with the functioning modes of poetic expression. The scope of my dissertation is to uncover the intimate operations of this double expressive movement, where literature grapples with the fundamental mobility of emotion through active exploration of its own figural possibilities. Emotion Corporeity Poetics Dewey 420/820 84 Département de langue et de littérature anglaises 3B false 920e888d-0226-493b-a66b-de8dbd94f784 Thesis Private THESIS_Ioana_Balgradean.pdf 1472128 application/pdf ae9bf75c25972d3d98034c6851bfe796668e393d87f01a3f23de7a99ea1b1f9c closedAccess Faculté des lettres / Département de langue et de littérature anglaises

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The poet's grasp at emotion : medieval configurations of sloth				2011	1,074	1

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Balgradean, Ioana