DG
| Title | Published in | Access level | OA Policy | Year | Views | Downloads | |
|---|---|---|---|---|---|---|---|
| Simulation as a training method for electricity workers' safety | International Journal of Environmental Research and Public Health |  | 2021 | 372 | 254 | ||
| Language is the missing link in action-perception coupling: an EEG study | Scientific Reports | | 2020 | 295 | 119 | ||
| “Hearing music as . . .”: metaphors evoked by the sound of classical music | Psychomusicology | | 2019 | 329 | 1,343 | ||
| Understanding chromaesthesia by strengthening auditory-visual-emotional associations | 8th International Conference on Affective Computing and Intelligent Interaction (ACII) | | 2019 | 362 | 511 | ||
| Music for anxiety? Meta-analysis of anxiety reduction in non-clinical samples | Psychology of Music | | 2018 | 897 | 2,283 | ||
| The effect of ensemble and solo performance on affective experiences induced by music | Psychology of Music | | 2017 | 529 | 618 | ||
| Body, Space, and Emotion: A Perceptual Study | Human technology | | 2017 | 598 | 564 | ||
| Playing for a Virtual Audience: The Impact of a Social Factor on Gestures, Sounds and Expressive Intents | Applied Sciences | | 2017 | 660 | 550 | ||
| The resilience approach to studying group interaction in music ensemble | The Routledge companion to embodied music interaction | | 2017 | 339 | 471 | ||
| Playing for a virtual audience. Expressive features in musical performances | Phasing Out - NCCR | | 2017 | 572 | 85 | ||
| Automatic classification of leading interactions in a string quartet | ACM Transactions on Interactive Intelligent Systems |  | 2016 | 231 | 0 | ||
| Music Ensemble as a Resilient System. Managing the Unexpected through Group Interaction | Frontiers in psychology | | 2016 | 529 | 317 | ||
| Evaluating music performance and context-sensitivity with Immersive Virtual Environments | EAI endorsed transactions on creative technologies | | 2015 | 621 | 766 | ||
| Towards a Minimal Representation of Affective Gestures (Extended Abstract) | 2015 International Conference on Affective Computing and Intelligent Interaction (ACII) | | 2015 | 628 | 527 | ||
| Expressive non-verbal interaction in a string quartet: an analysis through head movements | Journal on Multimodal User Interfaces | | 2015 | 70 | 240 | ||
| Is he playing solo or within an ensemble? How the context, visual information, and expertise may impact upon the perception of musical expressivity | Perception | | 2014 | 710 | 434 | ||
| Event Segmentation and Biological Motion Perception in Watching Dance | Art & Perception | | 2014 | 539 | 585 | ||
| Exploiting the Shapley Value in the Estimation of the Position of a Point of Interest for a Group of Individuals | Procedia Social and Behavioral Sciences | | 2014 | 419 | 1 | ||
| Sensorimotor communication in professional quartets | Neuropsychologia | | 2014 | 536 | 1 | ||
| The movements made by performers in a skilled quartet: a distinctive pattern, and the function that it serves | Frontiers in Psychology | | 2013 | 503 | 228 | ||
| Toward a Minimal Representation of Affective Gestures | IEEE Transactions on Affective Computing | | 2011 | 658 | 1,361 | ||
| Technique for automatic emotion recognition by body gesture analysis | Computer Vision and Pattern Recognition Workshops, 2008. CVPRW '08 | | 2008 | 618 | 1,082 |
